Saturday, November 5, 2022

Winter Light




 

I am happy to be part of this exhibit in Salem, Oregon.  

 

WINTER LIGHT

NOVEMBER 11 – DECEMBER 24, 2022 | ANNEX GALLERY

RECEPTION NOVEMBER 11, 5:30 PM – 7:30 PM

In the dark, gloomy days of winter, light plays an important role in lifting the spirits and brightening lives around the world. To counteract the darkness, cultures – both here and abroad – hold festivals of light. This exhibition showcases the many different people living together in the Willamette Valley and celebrating winter with their own, unique customs.

Salem Art Association, in collaboration with Salem
Multicultural Institute, presents Winter Light, a juried exhibition of the work of local artists, depicting the beauty of light in the still, quiet moments found in nature and in the warmth of hearth and home.

Join us in celebrating this multi-cultural portrayal of winter, Winter Light.



 


Friday, June 3, 2022

Reuse and Recycle

I was never quite satisfied with this 60 x 48 inch oil painting of a 500 year old maple tree. There was just too much red on the bottom of the canvas. I cut it down, hung it in an old frame, and made a purse from the red section on the bottom.  Now I'm satisfied!








Wednesday, June 1, 2022

I don't want to feel like I did that day

 Three 8 x 8 alcohol ink tiles were donated to the Arts Center in Corvallis for their annual fund raiser.





Saturday, February 19, 2022

The Arts Center---Howland Open 2022


So glad to be part of this community event again this year. 


Sunday, February 6, 2022

Flight of Fancy: Intersecting Light and Dark

 Flight of Fancy: Intersecting Light and Dark 

Birds, a Book, and Notan 

Corvallis Artists: Brenda Congdon, Joan Linse and Mary McDermott 

Truckenbrod Gallery

 517 SW 2nd Street, Corvallis Oregon




 Every Friday and Saturday from 12-4 PM during February, 2022 

And during The Corvallis Art Walk at 4 PM February 17th, 2022

I'm introducing my children's book illustrated by my friend Brenda Congdon.


Tuesday, February 1, 2022

A Day with Major Tom, he's one cool cat


Click the link to see the book on Amazon.com

 A Day with Major Tom, he's one cool cat


Monday, January 24, 2022

#ImagineTheFuture

 I am excited to be part of an exhibit in the Benton County Museum.

#ImagineTheFuture        

Jan. 28 – March 5, 2022

At https://imaginethefuture.global/ we are all “invited to paint a picture of the future we need – to really envision it – and delineate the critical steps necessary to get there”. Artists were encouraged to submit art relating to a vision of the future and any theme that feels right: environment, social justice, war and peace, location, community, family, or ___________.

Selected artists include Phil Coleman, Sabra Comins, Genece Cupp, Ramiro Diaz, Jan Dymond, Linda J. Edwards, Brian Egan, Leslie Green, Nancy Helmsworth, Vicki Idema, Karen Kreamer, Mary McDermott, Kate McGee, June Nissinen, Ralf Huber & Asante Riverwind, Judith Sander, Peggy Sharrow and JoAnne Walstad.

Sunday, December 19, 2021

On to New Horizons

 Only a few more days to see this special event at The Arts Center. (Ends December 23rd)

On to New Horizons Click to see more about it.

It was an honor and a pleasure to be part of it.

Sunday, October 17, 2021

What Will Nature Do?

Environmental Arts and Humanities at Oregon State University had this to say about the exhibit:

OSU Envirnmental Arts and Humanites Blog



 If you are in Corvallis, come see  What Will Nature Do? at the Arts Center in the main gallery until November 13, 2021. Dr. Dominique Bachelet's vision for the show is inspired.  I am honored to be part of this exhibit and accompanying book.

700 SW Madison Avenue, Corvallis Oregon.

Wednesday, October 6, 2021

Circle Studio

 

Stop by  Circle Studio and find out more about alcohol ink workshops and pet portraiture workshops. There are other workshops available and more being added all the time.

Sunday, July 25, 2021

Wednesday, February 3, 2021

No Woman No Cry and Other Portraits

Though this webpage is basically about my artistic journey, I had to take a moment to praise Julia Cameron and her contribution to that journey with her book The Artist's Way

I was thrown into an artistic block on January 12, 2018 when my muse, lover, best friend, confidant, and protector died. The pandemic only exacerbated the entire sense of uselessness. I struggled to find artistic purpose and found it only while making small pieces of jewelry I gave away. This was satisfying, but I was unable to go further. 

It was time to do something about this self-inflicted creative block (they all are, frankly). I went online and purchased a used  copy of The Artist's Way published in 1992.  I don't remember having an artistic block in '92, so I don't recall reading the book. However, I am familiar with similar processes to unleash the artist within. I gave workshops for years at my art studio in Asheville, North Carolina and before that in San Diego, California, that focused on this phenomenon. Guiding and allowing students to find their inner artist  and facilitating that journey has always been central to my teaching philosophy. Now it was my problem and I couldn't help myself. I humbly sought guidance.

Cameron's program is simple:

  • Write 3 pages every morning about anything (don't look at the pages, just write)
  • Go on artist dates with your artist at least once a week (difficult during a global pandemic, but doable)
  • Restock the idea bank from the artist dates (allow yourself to make art from these ideas)

I returned from an artist date, went straight to the studio and produced the painting below.  I barely remember painting it. It simply emerged. This is what we as artists seek; that experience when YOU get out of the way and the artist, the creative within emerges. It is not the best painting I've ever done nor my favorite, but it does represent a watershed moment for me as an artist.  I am appreciative of Julia's book and it is never too late to start from scratch. I do it every single day. 

I was listening to Legend: The  Best of Bob Marley and the Wailers on the way home from my artist's date that day. What else could I call it?

My new mantra: It is easier to paint than not to paint.

I also like: Don't give up.

                

                                                                                   No Woman No Cry  

                                                                                   10" x 20" 

                                                                                   Acrylic on canvas


Tuesday, February 2, 2021

Mysticism in Time of Covid









         My Mysticism in Time of Covid Story

                    

The isolation we’ve experienced through the months of the pandemic often made our encounters with other living beings more meaningful and precious. It is not just in contemplative practice, in the presence of great natural beauty, or in the ‘zone’ of  extreme physical exertion, danger or creativity that enlightenment and awareness can occur. It is the connections we make as living beings on this planet that can facilitate bliss and allow us to experience the peace, love and joy of life during this unprecedented time of plague for our generation.

Bliss in Time of Plague is an expression of such an encounter during the first summer of Covid. The accompanying lavender jade pendant represents cleansing the mind of cluttered thoughts, confusion, and negativity. The Tree of Life wire-wrapped around the stone symbolizes the interconnectedness of all things.  

Peace, joy, and love to you.




Bliss in Time of Plague Shadow Box
6.5" x 6.5" x 1.5"
Made from reclaimed, recycled and repurposed items

 



Thursday, March 12, 2020

I took a ceramics class and I'm hooked!


These are the pots I made in ceramics class at Linn Benton Community College (Benton Center)!  
So much fun!
The instructors are fantastic and the volunteer staff is phenomenal! 
I'm going back!

Sunday, January 26, 2020

The Ancient Ones


The Ancient Ones is a series of paintings of very old trees that still live among us. The idea grew from my love of trees. Yes, I am a tree nerd-I just can't help myself! 

Moving around the country since the 1980s has seriously destroyed my own personal sense of place. Yet, I know I am not alone. Humans migrate; some by choice and others out of necessity.

The trees in this series remind me that some living things, despite climate change, are still with us in virtually the same place they began life thousands of years ago. I love that idea.

Pando is Latin for 'spreading out' and this 'Trembling Giant' has been doing just that for 80,000 years. Pando is a clonal quaking aspen in Utah, USA and the subject of the first in a series of four paintings. 






Pando 
48" x 60"
Oil on Canvas


Number 3 in the series: The Ancient Ones


Climate change is always on my mind, as it is for many of you. Eco-responsible art-making has been a priority for me for many decades.  The Ancient Ones series continues that tradition while focusing upon essential yet vulnerable living things that will probably still be here long after humans are not.  

Old T or Old Tjikko, a clonal tree that regenerates trunks, branches, and roots over long periods of time, is almost 10,000 years old. Old Tjikko is deceiving. We can see the 300 hundred year old  spruce shooting out of the ground, however, most of Old Tjikko is ancient and underground. Clonal trees are mostly roots underground shooting up those familiar trees we love so much.  Old T is a Norway spruce located in Sweden. 






Old T
48" x 60"
Oil on Canvas


Methuselah is a 5000 year old Bristlecone pine tree in the White Mountains in California. It is the oldest living non-clonal tree in the world. Its actual location is a secret!  What an ancient beauty!



Methuselah
48" x 60"
Oil on Canvas

This piece is my expression of the Comfort Maple in Pelham, Ontario.   The Comfort Maple is just a babe in the woods at only 500 years old.  I chose to paint this sugar maple in fall because of, well, the color of course!

This was an exciting and interesting experiment in paint! I used the process to exorcise my own dis-comfort. Whenever I felt angry, sad, anxious, or generally out of sorts, I would head to the studio and apply color to Comfort. It truly was a cathartic as well as a ‘comforting’ experience to unleash my pain in this manner.  I realize now that many of my expressive pieces are born of my own personal distress and it is truly comforting to expel my demons in this manner. 

The problem with this kind of expression is it may never end. Comfort just may sit in my studio for years as I apply layer after layer of angst in the form of paint as my way to just let shit go! 


Comfort
48" x 60"
Oil on Canvas

% of the profits from the sale of the paintings in this series will go to a non-profit organization working toward reforestation and conservation. 

"Buddha's words: A tree is a wonderous thing that shelters, feeds, and protects all living things. It even offers shade to the axmen who destroy it."  Richard Powers, The Overstory 








Wild Women 2020

Check out the fantastic art in the Wild Women 2020 Show at the River Gallery in Independence Oregon.  The Show is on until February 29th, 2020.
Open link in a new window to view the show.

Sunday, October 6, 2019

En Plein Air-Corvallis


En Plein Air on Circle
16" x 20"
Oil on canvas

Monday, September 30, 2019

trying something new




Autumn in New York.
28" x 43"
Oil and acrylic on canvas

Monday, August 26, 2019

Artist residency





Come to the Corvallis Library on October 28, 2019 at 6:30 PM for a presentation and how to apply for an

Artist Residency

in the Cascade-Siskiyou National Monument 

with the 

Bureau of Land Management  



Friday, August 16, 2019

The Fall



The Fall. 24" x 48". Chalk pastel on repurposed masonite.
The transience of both autumn and 'white male privilege' is expressed in the image and chosen medium in this artwork.